THE SURFER eBook Jacket Selection Poll: Vote Now!

I decided to release THE SURFER as an ebook, so I needed a cover. Then I went a little crazy with Photoshop. Five covers (plus a Bonus cover) emerged from the layering, rasteurizing, and the gaussian blur. How to pick one? As a market test/experiment in radical democracy/outreach to my Friends and Followers, I offer this Selection Poll. You will find it below Jacket#5, and you may vote for your favorite two jackets. The poll closes on 2/14/11.

Thank you for your participation and your comradery, my friends.

 

Bonus Jacket

 

Jacket#1

 

Jacket#2

 

Jacket#3

 

Jacket#4

 

Jacket#5

 

So, how did you vote? Why? How do you feel about book jackets in general, and these in particular? LEAVE A COMMENT. DON’T HOLD IT IN. LIFE IS SHORT.

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TMiK Music Review: Kings of Leon, Live at the O2, London

The story of the three Followill brothers (plus a cousin) is one that would naturally appeal to English fans, predisposing them to worship and salivating claims of authenticity. The sons of a traveling Pentecostal minister, the journey of these Tennessee boys, from discarding church life to finding Led Zeppelin and worldly vices in Nashville, is now well known. But even after making it big and a Rolling Stone cover, this concert — their first live album and concert video — seems a big deal to the Followills. During these twenty three songs, a zillion camera angles record the Kings and the humble zest of their musicianship.

You sense it hasn’t all gone to their heads, and their basic Southern humility remains intact (which bodes well for their musical development). They are not ones for rock god posing, masturbatory hijinx, or narcissistic pandering. It’s all about the music, and the inner journey they take you on. Their last album, Only by the Night, moves them into a more U2 oriented arena rock stance. They set a deep, thoughtful tone and this live show at times mesmerizes. London fans won’t be fooled, and the Kings prove up to the task of being arena rockers.

Their stripped down rock n’ roll has a very American feel. They’re Tom Petty meets Pearl Jam with a healthy slice off the Lynyrd Skynyrd wheat loaf. Their songs have a timeless rock sound, yet are valid and distinct in a millennial way. Highlights include “Knocked up,” a tale of defiance and longing, with lead guitar accents a la the Edge and a rolling Johnny Cash groove used to trancelike effect. Caleb Followill’s  unusual vocals are on display, at times pleading and sweetly human, at times roaring and pained. On other songs, like “Use Somebody” and “Manhattan” his vocals have a bluesy imperfection, a rasping quality which gives the atmospheric guitars a grounding. Their songs have a generally positive, inspirational feel, though the song  “Knocked Up” dips into desperate melancholy and “Cold Desert” has a haunting feel.

Their songs from Aha Shake Heartbreak like “The Bucket” and “Taper Jean Girl,” achieve a ringing guitar perfection of garage rock, with an insistence found in New Order and Gang of Four. A faster tempo is their natural speed. Only by the Night, their most recent album, sticks with a basic guitar and drums emphasis, with the slick recording tricks to a minimum, making them transferable to the concert experience. Even the more thickly produced, heavy “Crawl” still retains a live pulsating Kings heart.

One of the joys of this concert is that the songs all have a cohesion, a sense they all spring from the same gentle consciousness, and build on one another to achieve something larger. Their lack of movement onstage (even for the concert video! — come on dudes, jump in the air just once!) might lose some viewers, but for concert fans like myself, who prefer to hear and commune with the music rather than see a fake spectacle, it works just fine.

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The Phuket Dinner Ritual: What is Your Name and Why Won’t You Look At Me?

For the observant, dining at local restaurants in Phuket, Thailand can be a spectator sport. You will notice a phenomenon among other diners. There is the Western man, the sunburned farang, either European, Australian or American. And then there is the silent Asian woman, perhaps young enough to be thought of as a girl.

I first made this discovery while dining at Savoey at Patong Beach. After my wife and I select the fresh giant prawns, lobster and mahi mahi we will eat from their icy heaps behind glass, we swoon with joy at our table. A beach breeze ticks at our napkins, swaying palms in the courtyard. We spent the day sunning and frolicking in Indian Ocean, then grooving on the Buddhist temple vibe and the scent of Plumeria, while flexing muay thai kickboxers on the back of a truck advertised fights at a local stadium. We have the loose grins of those experiencing peak joy. We are in love, and we love this place, and we talk greedily about the wonders of our day.

But around us, the dining scene is tense and silent.

First, you must understand the Thai girlie bar. These are open air bars, in Pattaya, or Patong Beach, or Ko Samui, where women sedately nurse waters or beers and when a lone Western man comes down the sidewalk they swarm and cackle like vultures, “Date? Date!” I don’t know how much money is involved or when this is negotiated, nor have I ever negotiated such a thing myself. But the next step is dinner.

At one table a red-faced, balding Englishman in a flowery shirt. Across from him is a dark-skinned Asian woman, probably Burmese. She wears jean shorts and flip-flops, and no makeup. He is edgy, sipping his beer and staring at her. She is catatonic — a lack of expression similar to those with bad medical test results, or who have lost homes in earthquakes. The waiters come and go, food arrives. Still nothing is said. It is clear nothing will be said. At another table a big doughy Swede consumes spicy flounder, glancing rarely, and cautiously, at an Asian woman, whose blank gaze does not extend beyond her plate. A mousy American fellow, a cubicle jockey, wearing shiny new shorts and sneakers — his tropical vacation ensemble — has a prime two top near the courtyard. He has carefully combed his thinning hair. He sits on the edge of his seat, alert, seeming to catalogue things he might say. His date, a Thai girl, looks off into the night. He looks hopefully at her. Her eye occasionally wanders to her water glass, then tracks the busboy away from the table. She is hibernating in bored, irritated thoughts. He nods his head to the music, as if it’s a natural conversational break, yet as the music changes from Journey to Air Supply, he is more and more crestfallen.

I’m an enthusiastic eavesdropper and an incorrigible starer (my wife tries to curtail me;  she cannot), and this is the most fascinating dining I have witnessed.

These guys! I sense these are normally frustrated men. Struggling with social skills, with feminine whims and judgment, and suffering from the finicky rituals of dating. They were frustrated and flummoxed enough to travel halfway around the world for some action… and they are entirely unequipped to deal with the Girlie Freezeout. You kinda feel for these guys. For a lifetime they have imagined the smiling, beautiful, nurturing Asian girl of their dreams. The demure girl of Old World values, eager to ingratiate herself with the rich, impressive Westerner (and she seemed enthusiastic fifteen minutes ago). Or perhaps this is naive. Maybe his dream, with knowledge of the poor women he will encounter, is one of taking out frustration on this purchased person.

Which brings me to the sex trade on the Asian continent. (Louise Brown’s Sex Slaves details the cruelties, rape and violence involved, how girls are “seasoned” to break their will.) The rule of thumb is that many Thai women in Bangkok and places like Phuket are in the girlie bar trade voluntarily to make a quick buck (social psychologists might argue about economic desperation and the term “voluntary”). But there is another side. A vast criminal network of sex traders buys girls from poor villages in Thailand, Burma, Cambodia and Laos, or tricks them into prostitution. They work in brothels visited by locals, but might end up servicing sex tourists in Bangkok or elsewhere. Are the women around me volunteers? With this knowledge, the dinner ritual becomes creepy and colonial and ethically dubious. “Bad karma,” I’d like to say, “it might be headed your way.”

Short of that, I would say: Is it worth it? Does this seem happy? Do you care about this human being and what her story really is? Are you this desperate? Have you never dined with a lovely girlfriend and had pleasant conversation and anticipated passionate and entirely voluntary sex? Because if you had, you’d know this situation is unnatural.

It is difficult to know the hearts and minds of others. Who am I to say what is transpiring between the Englishman and his silent lady friend? Perhaps later, after the mahi mahi has been eaten and the bill paid, something unexpected might happen. Maybe understanding or affection will be exchanged rather than raggedy Thai bahts. But if the dining is an indication, they will not be.

**KNOWN THING NO. 22:  You can buy dinner and drinks, and you can buy sex, but you cannot buy lively conversation.

**KNOWN THING NO. 23: People do things differently in other places and different opportunities exist, but this is not necessarily a justification to do them yourself.


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The Perils of Koh Samui Driving: To Flow or Not To Flow?

In a very Thai way that was quite generous and blind to dangers and the possibility of disaster, the proprietor of our bungalow (The Sundays, highly recommended) gave my wife and I use of a little jeep for a day of sightseeing. The exquisite tropical island of Koh Samui sits in the Gulf of Thailand. A main road rings the island and more traffic fatalities per capita occur there than anywhere in Thailand. They handed me the keys with warm Thai smiles — no signed papers, no talk of insurance, no drivers licenses, and no charge.

Keep to the left side of the road, I chanted. Keep left. Though the left right distinction is more a suggestion. The steering wheel of the jeep was also on the left, giving me a close view of the left shoulder, where ancient mopeds, motorcycles, crusty dirt bikes, bicycles, ATV’s and sandaled pedestrians were traveling both with and against my lane. Vehicle traffic is organic and highly creative on Koh Samui — the chaos of random actors and circumstances involving potholes, wild chickens, trash fires and a lack of street signs. A moped may pass a car on the left shoulder, or on the right going around the center line. A moped going against traffic on the left may also swerve into traffic to avoid a trash heap on the shoulder, a pack of wild dogs, or a woman carrying heaps of bananas. Likewise, a moped going against traffic on the right shoulder, perhaps with a sidecar wooden platform, perhaps containing grandma sitting on a milk crate and shelling shrimp, may go across the center line to pass, or go all the way to the left shoulder should room exist. So, a godlike and exhaustive awareness is recommended to the farang (i.e. Western) driver. Driving was a shock and it put me on edge.

The only rule is to keep hurtling down the road as fast as your contraption can go. Stopping is at a minimum — movement is the thing. If a jungle short cut around an intersection can pop you onto a shoulder faster, then by God take it.

Then there’s The Wicker Chair. Just below the handlebars of a moped, affixed to the frame is where you find them. A tiny chair with arm rests, lashed on with string or wicker. A small child sits there, with nothing to prevent a diapered baby from pitching off at low speed. The wicker chair puts a chill up the spine of most farangs: something about our Western anal retention about safety, our obsession with prevention (OSHA inspectors would have convulsions). Though baby just buzzes along at 20 or 30 mph, relaxed and well-behaved, wind in it’s wispy hair.

A lack of signs made it impossible to find a supposedly spectacular east coast lookout. And death wish motorcycles careening over a blind hill prevented me from turning around. Loss of this objective ticked me off. The constant small engine buzz around the car got on my nerves. What if I clipped a moped and killed someone? The what ifs don’t register with Koh Samuans. Helmets? Who needs them? The thinnest, cheapest Chinese knockoff sandals are all the foot protection you need. “Mai pen rai” the Thai say, translated as “It doesn’t matter,” or “No worries.” And they sputter along on duct taped seats, wind flapping their Thai fisherman pants and faded Nike t-shirts, with beatific grins.

We took a harrowing drive up into the mountains on an undivided road wide enough for only one and a half cars — it’s all about the sharing. Meeting another car was like two people trying to enter a doorway, one person waving the other through. Driving was a test of nerves, yes, but also the challenge of mastering a different type of flow. My Western demand for logic and instinct to blame had to be disarmed. My rigid conceptions of space, of rules… I had to let them go. The roads there are less organized and more dangerous, but also somehow more humane, more understanding. Nobody gets upset. Nobody gives you the finger. It’s all smiles. After all, a moped has to swerve around a muddy hole. A confused farang in a jeep can’t be blamed for slow driving. And dogs crossing the road…well, they’re dogs.

On the northern end around Bang Por the road hugs turquoise waters and mud flats, and long tail boats dry in the breeze. I couldn’t stare long at the scenery because traffic got thicker in late afternoon. Our journey was almost complete. But I had stopped worrying. I now embraced the drive, and could laugh about it. Look, wild dogs barking at a water buffalo on the left shoulder — an interesting twist! Two video game playing kids on the back of Mama’s moped and a baby in the wicker chair — nothing bad could happen there! Oncoming tour bus half in my lane — easily handled with a swerve!

It is Western dogma that more rigidity and control equals more happiness and less things to worry about. In fact, the Thais seem to prove the opposite may be true. It occurred to me that Thais were doing fine with their edgy system of transportation. It’s the farangs that have problems. Something about the equatorial heat, or the smell of monkey pod trees, or that taste of Thai lack of restriction — it inspires farang risk-taking. “Road rash” is common: Europeans and Americans with a leg or foot heavily wrapped in crusty white gauze, or limping on crutches. They wipe out on mopeds, fall off ATV’s, and swim over shallow coral and scrape themselves silly.

With pride I gave back the keys to the jeep. It was whole and so was I. I had no desire to do it again, but for a time I flowed with true freedom, and found a happy edge.

**KNOWN THING NO. 19: If you meet the Buddha on the road, kill him. If you meet an old man on a moped, swerve to avoid.

**KNOWN THING NO.20: If a teen passing on a rusty dirt bike squeezes you into a trash fire, do not curse him, but send him on with your blessing.

**KNOWN THING NO. 21: When there is chaos around you, allowing some chaos into yourself is the way to flow.

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Date with an MRI: Welcome to the Machine

Here’s some mean-spirited irony: it all begins with a recycling bin. Save the planet, small carbon footprint, and feel like I’m not among the decimating and despoiling human herd. A big blue plastic bin, overflowing with magazines. It’s impossible to drag from the sides without busting it, the damn thing is so heavy. So I lift from the bottom, like a Bulgarian Olympic dude in tights with those blocky shoes and wrapped knees. Big mistake. Something clenches in my lower spine, like a chomp of tiny teeth. What was I thinking? Answer: I was not.

Want to use a bent-waisted chimp walk the rest of your life?  Live on a diet of Hydrocodone and Flexeril? Would it be OK to never again straighten your right leg? I should think not. My orthopedist is a experienced and talented man who has seen legions of broken, gimp, pained and creatively dysfunctional people but he does not have x-ray vision. It’s time for diagnosis.

So, the MRI room. It’s that secret door in the basement of the medical building. Inside is a small room, an inner sanctum with a chair and a chatty flat screen tv overhead. You ring for the technician. A man named Carl in medical scrubs says Hey! and hands me a checklist to make sure I have no pacemaker or ear implants because they will be scrambled by the MRI. Carl patiently explains what the MRI machine is: it’s a “giant magnet” that creates a magnetic field to align the hydrogen atoms in the water molecules of your body. Then a radio frequency alters the alignment of the magnetization causing the hydrogen atoms to produce a rotating magnetic field detectable by the MRI scanner. It’s “totally safe,”  Carl says in a casual, reassuring way. Though as any Whole Foods shopper could tell you, how many huge humming machines fresh from the military industrial complex that mysteriously map your insides are completely and knowably “safe?” Can cell phone usage, or living near power lines, or air travel be described this way? And what happens twenty years from now when the researchers connect the dots?

But a pain spikes through my hip, so bring it on.

Carl’s bedside manner is good, he’s an affable mixture of REI employee and a guy you might meet in the snack line at the ballpark. He tells me to change into scrubs and then, the control room computers illuminating his grinning face, he offers me my choice of music on satellite radio –  a hundred channels! Whatever you like! I’m momentarily stymied by this universe of choice. My decision: spa music, all the way. Soothing is good for forty-five minutes of not moving in a tight space. Right?

The conveyor bed has an insulated belt to be clicked on, last seen when Hans Solo was carbon frozen by Darth Vader. It’s an open MRI which means you’re slid under a huge round wedge, shaped like the foot of the elephant. There is an ancient human instinct not be in such places, under propped trees or between tight shelves of rock. Stuff that instinct. Carl has offered ear plugs, but those are for sissies. I want the whole experience. He closes the door to the control room, and there is an outrageous space lab suction noise. My wife sits in the room with me, but with earrings off because the giant magnet will “tug them out of your earlobes.”

“You OK?” Karl asks from the control room. He warns about the first four minute session, and reminds me not to move. Humming and grinding above and below like a chorus of people banging with rubber hammers. The Spa music is flutey and calm, like I’m getting a massage. But my God, spa was rather a dull choice. I recall a friend whose delivery room musical choices included Neil Young (Congratulations, you’ve given birth to a tiny folk singer) and Radiohead’s Kid A (Ma’am, it appears your baby has been born with post modern techno angst). Sinead O’Connor would have been an interesting choice, or the other soothing female voices I favor like Enya, or Tori Amos, or PJ Harvey, or Sarah McLachlan. But melodrama would then be a risk, like a soundtrack to some doomed hospital bed scene. Here’s a thought: how about some Sigur Ros? This would have been a fine choice. Some atonal Icelandic harmonies, some rising symphonic weirdness inspired by fiord gnomes.

About twenty minutes in I sense a twitching — my hydrogen atoms aligning; I sense their rotation as the machine, with its own bass chords of vibration, syncs with the spa music. I can’t help but think some Pink Floyd might have added valuable texture (as well as subtexts of alienation and industrialization), maybe “Time” during that crescendo when David Gilmour opens it up on lead and blows the roof off. Though Carl might drift back to memories of hazy evenings in his college dorm and lose track of some important gauge. The Floyd is a bit too intense for a medical procedure. After all my orthopedist did mention possible surgery, but couching it as a super-easy microsurgery, a cute and Japanese pokemon-like version of surgery where people shuffle in and out as if attending some invasive sporting event.

Above and below me is a shuddering, a thumping and murmuring, the radio waves mapping and I surrender to the vibrations. My molecules are being jazzed, a bombardment of radio waves last experienced near the speaker stack at a Porno For Pyros concert. I am one with the machine. I crave some  AC/DC or Van Halen, the calamitous thump of Alex Van Halen’s drum kit surely pushing things over the edge. But such music, with it’s connotations of redneck carnies and greasy long haired people wearing black t-shirts would quickly grow tiresome. “Carl? Please kill that shit.”

I leave the MRI room with a disc in hand. It’s a magical grainy image, a ghost picture that zooms down through my spine, down the vertebrae, along the nerve roots. It turns out all my discs are fine. The vertebrae look good. Yippee for nerve irritation on L-4!  Hooray! There will be no love-able microsurgery, just a slow recovery. But a full one. And I’ll be saving the planet at the same time.

**KNOWN THING NO. 16: Your complaints about the high cost of health care will evaporate when something busts in your lower back.

**KNOWN THING NO. 17: Do not question the machine. To question one is to question them all. Just go with it.

**KNOWN THING NO. 18: You may be tempted to select Van Halen during your medical procedure, but remember: Jane’s Addiction is a better band and David Lee Roth can no longer do flying splits.

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TMiK Movie Review: Up In The Air

Buckle in folks, return your tray tables to their locked upright positions and prepare for some hard landing truth from Up In The Air about the crushing meaninglessness of our so-called lives. You may be moved to put aside your Blackberry a few moments to look another human in the eye and have a non virtual, i.e. real moment. In the new Jason Reitman film, George Clooney plays Ryan Bingham, a zen-like business uber-traveler. Oozing a fastidious zest, he fires entire offices of aggrieved, devastated workers in St. Louis and Albuquerque, and gives seminars on traveling with nothing in your metaphorical backpack, with no messy human attachments (the insane creepiness of his seminar philosophy alone is worth admission). His every move through airports and hotel concierge lines is practiced and serene. He shacks up with sexy elite card travelers like Alex, played by the smoldering Vera Farmiga, who has more sex appeal than most eye candy actresses half her age. 

Bingham’s world is shaken when Natalie, an ambitious fresh face (Anna Kendrick), moves his company toward travel free video firings. Bingham schools Natalie in the verbal judo of dealing with distraught downsizees, and Natalie challenges Bingham on the emptiness of his no attachments lifestyle. Bingham attends the wedding of his estranged sister and gets closer to Alex, and starts to question his choices. To say much more about the plot gets into spoiler territory. 

The movie is based on the novel by the skilled Walter Kirn, whose well-crafted characters provide a sturdy backbone to this character driven movie. Clooney is convincing in a role probably as close to the real Clooney, the committed bachelor and bon vivant, as any he has played. His character Bingham excels at solo traveling and firing people, and he proudly makes no apologies, yet we don’t really hold it against him. There is a cobbled together feel within the movie, of people living via airport snack bars, hotels, denatured meeting rooms, and short term relationships with a business casual feel. The narcotic of techno time suck — the constant stimulation of cell phones, laptops and digital assistants — is thick in the air. That Bingham has found a way to find familiarity and meaning (oh, the joy of accumulated flyer miles!) is somehow understandable, as if the impersonal world with its corporate cruelty would swamp him should he let down his guard. But we sense he is vulnerable too. His job is just as precarious to change, his apartment a lonely box without warmth. 

The movies strengths are its sharp insights, an inspired cast and a timeliness with the pains of the great recession (real unemployed people are used in several scenes). That young whippersnapper Natalie is the catalyst for Bingham’s company changing to video conferencing seems a stretch, but a minor forgivable one.  The movie seems to suggest none of us are safe in the compartmentalized and downsized world. All of us are a pink slip or a breakup text away from being thrown aside, and even the most stalwart survivors among us will have to reach out to other human beings.

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A Drunk Young Man, a Roman Transit Strike, and a female Deadhead

After I graduated from college I flew to Rome. Before I got on the plane my friend George made me drink an entire bottle of champagne. He didn’t exactly make me: he busted into my room waving it like it was an old, honored tradition of European sendoffs to guzzle a champagne bottle. George was from California, did things like spray painting the words Wall of Voodoo onto his wall, and had an infectious laugh. “You gotta finish it,” he said, laughing. “You gotta!” (in fact, no such tradition exists).

Things were quite marvelous until George dropped me off at the airport. Rolling and weaving into the terminal I developed real concern about getting past the airline people and security, about FAA regulations barring drunk graduates from international flights. Fortunately, my college education included learning how to hold it together while being fucked up.

At 30,000 feet over the Atlantic I broke out a wire bound notebook, a journal I intended to fill with keen observations of my journeys across Europe, of fascinating people and old world culture and art, and I recorded my first steps. I had never been to Europe, never traveled alone, and knew no foreign languages. As the sun set behind the plane, everyone pulled down their window shades, reclined their seats and as sensible travelers bid North America good night. I was too excited to sleep. Champagne has always affected me strangely and at this point a woozy, out of body sensation nagged me. The plane, dark and still as a coffin, bore through the night with an ethereal hush.

In the Rome airport I shouldered my new Kelty travel pack from the baggage carousel. The novelty of being on Italian soil triggered my adrenal reserves. It was 9:00 am and the airport was deserted. I changed money at a counter for some lira — a weirdly inflated currency that always involves thousands — experiencing my first language difficulties. My carefully researched plan was to catch a bus for the main train station, Termini, then take a subway train to the Hotel Alimandi, where students with the Emory Italian summer program were living.

The other person waiting for the bus was an earthy girl with a huge scuffed backpack I knew instantly to be American. She was Andrea, and attended college in Katmandu, Nepal, she explained on the bus trip into Rome. My mind was blown by the concept of a Himalayan college… run by mountain climbers and Zen monks? She’d already spent time in India that summer, and was getting in some Europe before hitting Africa. She was negotiating entire continents alone. She resembled Claire Danes, but more athletic, and wore hiking boots, wooden african bracelets, and a short dress. A faded red bandana spotted with dancing Grateful Dead bears held back her dirty blonde hair. She seemed equally likely to sketch inside an art museum or hike to a summit. I was in awe of her as a seasoned and far superior traveler.

At the train station, vast and depopulated, we wandered between vacant window counters. No one seemed to work there. A posted English language newspaper explained that a strike was halting all trains indefinitely. Andrea, cool and unaffected, said something about finding a place to stay. A hot Roman sun rose overhead. I was thirsty and I took off my heavy pack. A savage hangover clamped by skull. I’d pulled an all-nighter (a common college occurrence for me but usually with disastrous results) and was having trouble thinking logically. I could not fathom another means to get to my hotel. The entire trip seemed in doubt. How was I to get to Switzerland during a train strike? I sensed there was no answer in my Let’s Go guide to Europe. It was D-day and my rifle was hopelessly jammed. I started to freak.

Andrea looked hard at me, squinting. Then she stepped closer and said, “You know backpacking across Europe, what you’re doing. This is what it’s like. This is it.”

It took a moment to comprehend her point. Then I felt immediate relief. It was not some disaster or a wrong circumstance I was experiencing. It was exactly right. It could be no other way. She and I had traveled from opposite sides of the globe to stand together on stones that might have been walked on by Michelangelo and Mussolini. One thing I like about writing fiction is the power to take a messy circumstance, perhaps a painful personal experience, and to honor it, to transform it. A story says: this is what it means to be alive, this is it.

Andrea made an offer for me to join her in finding a pensione. I was tempted by the raw freedom of this detour and the romantic possibilities of hanging out with this sage-like and natural girl. But my friend Cindy was expecting me at the Hotel Alimandi. I said goodbye to Andrea and grabbed a taxi, convinced I was being ripped off by the driver, but grateful to be delivered to my hotel.

**KNOWN THING NO. 23: It is unwise to begin a journey in a state of advanced intoxication.

**KNOWN THING NO. 24: Never underestimate the resilience and existential depth of a Deadhead.

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